Notes related to Estados Unidos
“EXIT INTERVIEW”: BUCHLOH’S CRITICAL LEGACY, NOW IN SPANISH
Alias editorial publishes the Spanish translation of the conversation between Benjamin H. D. Buchloh and Hal Foster, conceived as the farewell of one of postwar art criticism's central figures.
ALFREDO JAAR INDUCTED INTO THE AMERICAN ACADEMY OF ARTS AND LETTERS
The acclaimed Chilean artist joins the institution that brings together the most distinguished figures in architecture, visual arts, literature, and music in the United States.
MILESTONE FOR SALVADORAN ART: SEVEN WORKS ENTER THE NATIONAL GALLERY OF ART COLLECTION
Works by Beatriz Cortez, Simón Vega, Walterio Iraheta, and Verónica Vides are now part of one of the most important collections in the world, thanks to a donation by collector Mario Cáder-Frech.
MUUS COLLECTION LAUNCHED A RESEARCH FELLOWSHIP FOR CURATORS AND ACADEMICS
The New Jersey-based organization opens applications for experimented professionals all over the globe until July 31.
US SCULPTURES AMID CONTROVERSY AT THE VENICE BIENNALE
No formal application, no galleries, and uncertain funding: the artist representing the United States in Venice explores the transformation of matter and the American landscape.
WIFREDO LAM: “WHEN I DON’T SLEEP, I DREAM” - RETROSPECTIVE AT MoMA
PATRICK CHARPENEL: “CULTURALLY SPECIFIC INSTITUTIONS ARE BREAKING AN INCREASINGLY HOMOGENEOUS PATTERN”
What is a Culturally Specific Institution? Director of El Museo del Barrio for over eight years, Patrick Charpenel reflects on the role of museums in the United States, the visibility of Latinx communities, and the challenges of thinking about art beyond fixed categories and market logics.
HUMANS, MACHINES, AND POSSIBLE FUTURES: THE LAST 100 YEARS AT NEW MUSEUM
The exhibition features more than 15 new commissions by artists such as Ryan Gander, Camille Henrot, Jamian Juliano-Villani, Wangechi Mutu, Hito Steyerl, Alice Wang, and Santiago Yahuarcani, among others.
DISPOSSESSIONS IN THE AMERICAS: CONTEMPORARY ART AND THE COLONIAL LEGACY
The exhibition in Chicago brings together 36 Latin American artists who, through more than 40 works, challenge colonial narratives through critical, community-based, and resistance-oriented practices.
ART AGAINST COLLAPSE: 193 ARTISTS IMAGINE ALTERNATIVE FUTURES
Into the Time Horizon, at the Nevada Museum of Art, unfolds as one of the most expansive surveys of environmental art in the United States, combining critical diagnosis with concrete proposals in the face of the climate crisis.
WHITNEY BIENNIAL 2026, A FIELD DENSE WITH ENCOUNTERS
The intergenerational selection traces a sensitive map of practices connected to the United States, where affective, political, and technological ties intertwine through an experimental lens.
IS THE ART MARKET FINALLY RECOVERING?
The art maket stabilizes, but the recovery remains uneven.
CULTIVATING A VIRTUAL GARDEN: LEO CASTAÑEDA'S NEW INTERACTIVE DIGITAL WORK
Inspired by the Amazon rainforest and the Florida Everglades, the project commissioned for the 2026 Whitney Biennial invites players to explore the interconnections between natural ecosystems and technological systems.
OFELIA ESPARZA SINCE 1945: MEXICAN TRADITIONS IN CALIFORNIA
The American museum shows a major retrospective of the Chicana artist’s work—an oeuvre that “embodies the power of art to preserve memory and culture.”
ROBERTO BEHAR & ROSARIO MARQUARDT WIN THE LIFETIME ACHIEVEMENT AWARD AT THE ELLIES OOLITE ARTS AWARDS
The Argentine duo receives the award in recognition of a practice that merges art, architecture, and public space, creating social sculptures that transform the city.
ENERGY AND PATTERNS IN THE COSMOS, GISELA COLÓN IN CONNECTICUT
The Latin American artist draws inspiration from the landscapes of Puerto Rico and those of her adopted home in California to create sculptures that reveal the transformative power of nature.
FIVE VIBRANT EXHIBITIONS OF LATIN AMERICAN ARTISTS TO VISIT IN THE U.S. IN 2026
The North American country presents a strong presence of Latin American art on its agenda this year, highlighting both historical and contemporary figures.
NXTHVN OPENS ITS 2026 CALL FOR ARTISTS, CURATORS, AND EMERGING APPRENTICES
Based in New Haven, the organization announces applications for its annual Fellowship Program alongside rolling submissions for its High School Apprenticeship, emphasizing mentorship and intergenerational exchange. Application deadline: March 2, 2026.
DONNA HUANCA INTERVENES IN THE CAAC WITH HER SENSORIAL LANGUAGE
The installation is constructed using the artist's usual practices, where sand, pigments, and translucent curtains come together with cosmology and contemporary languages.
WHITNEY BIENNIAL 2026: LATIN AMERICAN IMAGINARIES IN A TIME OF TRANSITION
The 82nd edition brings together 56 artists and collectives in an exhibition that privileges atmosphere, sensibility, and contemporary forms of coexistence. Within this framework, Latin American artists play a key role, weaving together memory, technology, body, and territory.
TATIANA BLASS: HALF UNDERGROUND TORNADO
By Marina Baltazar, cultural critic, writer, and researcher
LAWRENCE LEK'S WORLD IN MIAMI, WHERE MACHINES SEEK MEANING
The Bass presents an immersive expansion of the artist's fictional universe, where sentient vehicles confront questions of memory, purpose, and control inside a corporate system designed to repair—and restrain—them.
PINTA MIAMI RETURNS TO COCONUT GROVE FOR ITS 19th EDITION
A leading platform for Ibero and Latin American art, the fair brings together galleries, curators, and emerging talents for a dynamic edition shaped by new voices and cross-regional perspectives.
TARIFFS AT THE BORDER: WHEN ART MEETS TRADE POLICY
How new U.S. trade policies are reshaping the movement of art and design, blurring the line between cultural object and commercial good.
RAUSCHENBERG’S PHOTOGRAPHIC APPROACH AND LATIN AMERICAN ROCI SERIES, AT JUAN MARCH FOUNDATION
The Juan March Foundation in Madrid presents an extensive and analytical exhibition on Robert Rauschenberg (Port Arthur, USA, 1925–Captiva, USA, 2008), focusing on the use of image and photography in his work. The exhibition, structured from a novel curatorial perspective, reinterprets the production of one of the great masters of contemporary art, highlighting it as the outcome of an essentially photographic practice.
DEMOCRATIC AND OPEN MAIL ART: TRANSGRESSORS IN CALIFORNIA
An exhibition tracing how generations of artists transformed the postal system into a space for creative freedom and political action, challenging censorship and borders.
BEYOND THE BLUE CHIPS: ERIC ALFARO AND THE RISE OF EMOTIONALLY RESONANT ART
By Violeta Lozada
As the global art market recalibrates, a quiet but powerful shift is rising. Collectors are increasingly moving away from multimillion-dollar blue-chip purchases and towards living artists whose work offers emotional resonance, personal connection, and affordability. Cuban painter Eric Alfaro is a standout in this new wave, an artist whose work combines painterly sophistication with accessible pricing and deeply human themes.
GATHERING THE SCATTERED: LUNA PALAZZOLO-DABOUL’S POETIC ARCHAEOLOGY OF MEMORY
By Violeta Lozada
In her solo exhibition ‘Scattered Pieces’, Miami-based artist Luna Palazzolo-Daboul transforms the act of scattering into a meditation on memory, labor, and belonging. Installed in Paradise Plaza (151 NE 41st Street, Suite 133), the site-specific work unfolds across the floor as an archive of fragments, each one a piece of the artist’s evolving journey.
JOURNEYS IN WASHINGTON: A CULTURAL BRIDGE BETWEEN LATIN AMERICA, THE CARIBBEAN, AND THE UNITED STATES
Organized by Pinta in collaboration with Meridian International Center, CAF – Development Bank of Latin America and the Caribbean – and CC LATAM, the exhibition brings together works by artists from seven countries addressing themes of identity, territory, and memory, reaffirming the value of art as a tool for regional integration.
JOSÉ CARLOS DIAZ IS PAMM'S NEW CHIEF CURATOR
The curator returns to the city where he began his career to take on the role of Senior Director of Curatorial Affairs & Chief Curator at the Pérez Art Museum Miami, with a vision focused on accessibility and intercultural dialogue.

